Last week Friday, before the revival of “Brighton Beach Memoirs” had opened, it was announced that David Cromer’s production of William Inge’s “Picnic” will head to Broadway next fall. “Picnic” was seen last year at Writer’s Theatre in Glencoe, and since Cromer seems to be the wunderkind of theater at the moment, I was very excited for this.
Then, Sunday night, “Brighton Beach Memoirs” opened on Broadway to fairly positive reviews. I was very pleased to see this since I wanted to go see both “Brighton Beach Memoirs” and “Broadway Bound” when my father and I eventually get around to going to New York since I’ve been a huge fan of Neil Simon’s comedies since I was a preteen and the idea of the plays being directed in a manner that seemed more realistic made me really excited.
But then last night, at intermission for “The Elaborate Entrance of Chad Diety,” I was checking my Blackberry when I saw, on Twitter, that “Brighton Beach Memoirs” had put up a closing notice for Sunday and that “Broadway Bound” was cancelled.
I was deeply saddened and shocked by this news. (To be honest, I had to refrain from yelling “NO!” at the top of my lungs, which was my gut reaction.) For starters, the show had just opened and it had opened to fairly positive reviews. I would like to think that the show might’ve picked up some steam after the reviews–although with the way that everyone talks about the death of the critic’s influence, I’m crazy to be thinking of such a thing.
Still, I’m shocked that this show was not doing well commercially. Neil Simon is not an unknown playwright, David Cromer is not a nobody director, Laurie Metcalf is in the cast. I’d like to think that those might draw in audiences, but evidently they didn’t.
I really can’t say much about the play because I never got to and won’t be able to see it. But, there are other bloggers that have seen the show and have some terrific thoughts on the premature closing of this show. (I highly recommend you read these two posts from Esther at Gratuitous Violins.)
The biggest question that is looming in my mind with this whole matter is what this will do to the planned revival of “Picnic.” I would have to say that William Inge and “Picnic” are not as well known as Neil Simon and “Brighton Beach Memoirs,” so I wonder if that revival is going to go on and whether or not producers will do something like put big stars in it. I hope it does go on and it is successful because…well, I think that it is a production that should happen go to Broadway.