Iris Apfel became a fashion icon basically by doing her own thing and not caring what other people wanted. As she states in Albert Maysles’ documentary, “It’s better to be happy than well-dressed.” With her legendary over-sized glasses, chunky necklaces and bracelets and unique pieces of clothing, Apfel has become an artist in her own right.
Maysles’ has a unique knack for portraits of interesting individuals–If you haven’t seen Grey Gardens, which he directed with his brother, you should–as this film shows Apfel interacting with her husband and members of the fashion industry in New York.
The documentary manages to be breezy while giving us a good idea of who Apfel is and her rise to being someone beloved enough to receive a tribute in the form of windows at Bergdorf Goodman. (Really, that’s when you’ve made it.) The documentary doesn’t have any real heft to it compared to other films at the Milwaukee Film Festival about individuals who did their own thing, but this doesn’t require that. It suffers from the lack of a structure or a sense as to the timeline of when events occur for Apfel–even if you read a lot of fashion coverage you may feel lost as we bounce around from one thing to the other–but it manages to be a good portrait of someone who truly is 93 years young.
4 out of 5 stars
30 Seconds Away: Breaking the Cycle
Milwaukee, like many major cities, has a sizable homeless population, many of whom face problems including mental illness and drug addiction. Former federal agent Faith Kohler makes her directing debut with this documentary, filmed over the course of five years.
In an attempt to make a documentary looking at this issue from multiple perspectives–those on the streets, the Milwaukee Police Department, and Milwaukee County judges–Kohler ends up making a film that is scattered-brained. What could have been a good focus point, the attempts of Harold Sloan to stay sober, have a place to live and a steady job, is diluted with other examinations of homeless individuals in Milwaukee whose stories are discussed, but then dropped until the text epilogue. Sloan is someone audiences can empathize with as we see his efforts to improve his life and stay off the streets and as we see him in court, Kohler could have easily woven in the other aspect of the story from the criminal justice system and the struggle to balance trying to enforce laws while trying to truly help the homeless in the city.
Instead we are given a film that goes on for too long and features poor production, such as jerky camera work and muddled audio, making it often difficult to understand what interview subjects are saying. What could have been a moving examination of something Milwaukeeans possibly don’t think much about ends up being a frustrating film, making you wish a better movie had been made about this important issue.
1.5 out of 5 stars