I apologize in advance for the several posts I’ve recently been posting that have been related to ancient Greek theater, but that is what I’ve been studying in two of my classes and my thoughts have been going about ancient Greek theater and its styles in the modern world.
One thought that did occur to me was whether or not current, contemporary playwrights could write a modern-day Greek tragedy, but with a common man as the tragic hero, similar to what Arthur Miller did with “Death of a Salesman.”
I ask this question because I don’t think that there are any current playwrights that have written a modern-day Greek tragedy. If someone is willing to argue that “August: Osage County” is, I’d be willing to have that debate, but I don’t think it is.
What I am asking for is not a show that the audience members could sit in the audience and go, “Ah ha! This is like an old Greek tragedy.” Because that would be a bit too heavy handed.
What I am asking for is a play with a tragic hero, a character who neither inherently evil or inherently good that has a tragic flaw, that follows Aristotle’s idea of a tragedy. A play that is a bit more plot driven than character driven, and has a revelation of a secret to the tragic hero and/or a reversal of fate. A play that is able to produce catharsis in the audience and make them pity the tragic hero’s fate and fear for their fate occurring to them.
I don’t think it’s too much to ask. But that might be because I am presently trying to write a contemporary Greek tragedy. If tragedies written more than 2,000 years ago still have the ability to pull at the audiences emotions and hold the same power it used to have, then I see no reason why modern playwrights can’t write a play that is done in the style of a Greek tragedy.