Maniac.

Three years ago, I was the light and sound board operator for a production of the stage version of Footloose and my mom was in charge of the follow spot crew. One day, she typed up the follow spot plot and schedule and showed it to my sister and I. (She was on the follow spot crew.) We looked at it and pointed out that it said Flashdance Spotlight Schedule and Flashdance Spotlight Cues. My mom corrected the error and commented that they’re both movies from the ’80s that had dancing as a key plot point.

As it turns out, there is an actual stage version of Flashdance. It opens on the West End this September.

You guys, my mom wanted to do it three years ago.

(Also, do the Brits seem to have an affinity for transforming movies into musicals? Just asking.)

(h/t Gil Varod.)

And Now, A Sports Related Post That I Can’t Tie Into Theater

TC, the UNI mascot

Normally I would keep all sports related posts out of this blog, but this caused me to yell after a basketball game and my voice is now hoarse. And I normally don’t care about basketball.

The University of Northern Iowa happens to be located in my hometown of Cedar Falls, Iowa. UNI happens to be the former state teacher’s college and is the home of the nation’s oldest literary magazine, The North American Review.

UNI also has a new thing to boast; they beat number one ranked Kansas University today at the Men’s NCAA game, which means that UNI gets to go onto the Sweet Sixteen in the NCAA Tournament.

This is the first time that they have advanced to the Sweet Sixteen and a lot of people have their bracket’s messed up.

And from this point on, sports commentators will know how to pronounce Ali Farokhmanesh’s name.

My Girlfriend’s In Love With Holden Caulfield

J.D. Salinger, the author of Catcher in the Rye, noted recluse and creator of the archetype of the angsty teen, Holden Caulfield, is dead at the age of 91.

Although I liked Catcher in the Rye, I personally remember his short story “A Perfect Day for a Bananafish” better. But there’s no denying that that novel had a strong impact on teenagers and American society. The title of this post even comes from a poem in David Levithan’s The Realm of Possibility about a boyfriend who’s girlfriend is in love with Holden Caulfield and is obsessed with Catcher in the Rye.

In other news, I had no clue that Salinger was that old.

Moments of Wow

First of all, I turned on my computer yesterday morning to find messages telling me that I was mentioned on The Guardian’s theater blog. Chris Wilkinson of the Guardian addressed the lack of female theater bloggers on his 2009 best theater bloggers list. He pointed to a list on the Drama, Daily blog, which I was mentioned on along with many other very talented writers, many of whom I admire greatly.

He then pointed to particular posts that caught his eye and one of them was my post about the Halcyon Theatre’s Alcyone Festival, which is featuring the works of María Irene Fornés.

I’m really not sure what to say about this. I’m quite flattered and a bit surprised because I’m just a college student. I really don’t expect to find my blog linked to by the Guardian.

The second moment of wow is brought to you by Catey Sullivan of the Chicago Theater Blog, who sent WNEP founding artistic director Don Hall, who writes the blog An Angry White Guy in Chicago, a cease and desist letter after he put her review of WNEP’s The (edward) Hopper Project on his blog and commented on it.

It should be noted that Hall has done this with all of the reviews of the show, including the ones from the Windy City Times, Chicago Sun-Times, Chicago Reader and Time Out Chicago. Sullivan is the only one to send a cease and desist letter and I’m really not sure why other than that she was upset that it was put on there without her permission. In my opinion, if you’re writing something that will be put online, be prepared for people to copy it in its entirety. However, I also think that what Hall is doing is a great idea because it’s creating a dialogue between the critic and the artist, which I think needs to happen more.

*sigh*

I was walking through my neighborhood today when I came across a simple, black and white newspaper called the Lincoln Park Statesman. I was intrigued by the paper because of a headline declaring “A Socialist DePaul” due to GPA Redistribution, which gives me an “Okay, what sensationalism journalism is going on here” thought. (It was also free, but the header states that subsequent copies are $3.00.)

The article that prompted me to pick up a copy is difficult to read because of how poorly written it is. Mind you, I’ve read some poorly written articles for newspapers, but this is confusing. I don’t know if the GPA distribution is being implemented by DePaul or by the DePaul College Republicans? Is this hypothetical? Is there a reason why the writer didn’t cite any sources or quote anyone?

But anyway, the Statesman is apparently “a conservative newspaper dedicated to truth in journalism.” (I’ll show you truth in journalism with my friend the AP Stylebook and Guide to Media Law.) Naturally, I’m probably not going to agree with the views expressed in this publication, which is connected to the DePaul Conservative Alliance. But reading this, I can’t even chew on the content for a bit and try to digest the opinions, like I can with a Charles Krauthammer column. I really can’t even take these people seriously, partly because having “the” before “der” is repetitive. But there’s also a guide to how to milk free healthcare for what it’s worth, that includes “get pregnant,” “save money on a gym membership by getting routine liposuction,” and “take up the art of sword swallowing…with no formal or informal training.”

I’m aware that it’s probably satire, but instead of throwing hands up in the air and saying, “Oh, hey, we’re getting Obamacare, let’s abuse the system,” couldn’t they have said, “Write, call, fax your representatives and tell them to not give us health care reform.”? Because having a way to abuse the system, which I would assume would not cover unnecessary procedures, doesn’t help conservatives at all. It just makes them look crazier.

Now That’s Not Funny

tnsp
Last week Friday, before the revival of “Brighton Beach Memoirs” had opened, it was announced that David Cromer’s production of William Inge’s “Picnic” will head to Broadway next fall. “Picnic” was seen last year at Writer’s Theatre in Glencoe, and since Cromer seems to be the wunderkind of theater at the moment, I was very excited for this.

Then, Sunday night, “Brighton Beach Memoirs” opened on Broadway to fairly positive reviews. I was very pleased to see this since I wanted to go see both “Brighton Beach Memoirs” and “Broadway Bound” when my father and I eventually get around to going to New York since I’ve been a huge fan of Neil Simon’s comedies since I was a preteen and the idea of the plays being directed in a manner that seemed more realistic made me really excited.

But then last night, at intermission for “The Elaborate Entrance of Chad Diety,” I was checking my Blackberry when I saw, on Twitter, that “Brighton Beach Memoirs” had put up a closing notice for Sunday and that “Broadway Bound” was cancelled.

I was deeply saddened and shocked by this news. (To be honest, I had to refrain from yelling “NO!” at the top of my lungs, which was my gut reaction.) For starters, the show had just opened and it had opened to fairly positive reviews. I would like to think that the show might’ve picked up some steam after the reviews–although with the way that everyone talks about the death of the critic’s influence, I’m crazy to be thinking of such a thing.

Still, I’m shocked that this show was not doing well commercially. Neil Simon is not an unknown playwright, David Cromer is not a nobody director, Laurie Metcalf is in the cast. I’d like to think that those might draw in audiences, but evidently they didn’t.

I really can’t say much about the play because I never got to and won’t be able to see it. But, there are other bloggers that have seen the show and have some terrific thoughts on the premature closing of this show. (I highly recommend you read these two posts from Esther at Gratuitous Violins.)

The biggest question that is looming in my mind with this whole matter is what this will do to the planned revival of “Picnic.” I would have to say that William Inge and “Picnic” are not as well known as Neil Simon and “Brighton Beach Memoirs,” so I wonder if that revival is going to go on and whether or not producers will do something like put big stars in it. I hope it does go on and it is successful because…well, I think that it is a production that should happen go to Broadway.

Things That Should Not Exist: Musical Theater Edition

This post could also be entitled, “If any atheists are looking for good arguments as to why there is no supreme being, I have one.”

If you’re not familiar Dan Goggin’s musical “Nunsense,” then I’ll fill you in. The first “Nunsense” musical is about a group of nuns in Hoboken that put on a variety show to be able to raise money to bury their dead sisters. The audience for the musical, as in the audience in the theater, is also the audience for the variety show, and there are also some scenes involving an audience quiz and bingo.

Now, I hope you’ve noticed that I used the word first in that previous sentence when referring to “Nunsense.” That’s because there are multiple sequels to “Nunsense.” There is “Nunsense 2,” “Sister Amnesia’s Country Western Nunsense Jamboree,” “Nuncrackers,” “Meshuggah-Nuns,” “Nunsations: The Nunsense Vegas Revue.” There’s also “Nunsense A-Men,” which is apparently the original show, but the nuns are men in drag. If you would like summaries of the sequels, then I suggest looking at Wikipedia, since it will do a better job of explaining than I will.

Wednesday, Theatermania.com reported that Dan Goggin is going to direct a new “Nunsense” musical at the Fireside Theatre in Minnesota. This will be entitled “Nunset Boulevard: The Nunsense Hollywood Bowl Show.”

I understand that Goggin might want audiences to enjoy in the success of the nuns, but “Nunset Boulevard” will be the sixth show. And just because a show is successful shouldn’t mean that you should make or keep making sequels.

I don’t think that the first musical is really good. The plot is horribly contrived and none of the numbers are memorable. But, evidently, people do think that it is good because the “Nunsense” musicals keep getting done.

But, really, Dan Goggin, could you stop after “Nunset Boulevard”? Please?